Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
$10USD or more
Record/Vinyl + Digital Album
This seafoam blue vinyl version of 'Joy Is Elusive' includes a digital download card, gatefold liner notes and a pressing on dreamy blue vinyl.
Includes unlimited streaming of Joy Is Elusive
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 3 days
edition of 100
$25USDor more
Record/Vinyl + Digital Album
The vinyl version of 'Joy Is Elusive' includes a download card of the full album, a heavy matte finished 24 point cover, gatefold liner notes and thick, juicy black vinyl.
Includes unlimited streaming of Joy Is Elusive
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 3 days
$20USDor more
Compact Disc (CD) + Digital Album
The full album on CD comes in a beautifully printed wallet with four panels of gorgeous art, plus a six panel insert including lyrics for al twelve songs on the record.
Includes unlimited streaming of Joy Is Elusive
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 3 days
$12USDor more
T-Shirt/Apparel
Dark heathered grey poly-blend t-shirt with light blue and pastel yellow screen print.
Seems like I have been asleep for weeks
Wearing these same clothes for days and days
Well you caught me at a real bad time
But when it might be right, I just can’t say
Help me please, so I can find the river now
Won’t you help me out somehow
Seem to spend my time just staring into space
Curious as to why I wound up here
Was it a fatal flaw, or just bad luck
When did my good fortune disappear
Help me please, so I can find the river now
Won’t you help me out somehow
The phrase “Joy Is Elusive” appeared in Harborcoat’s Matthew Carlson head one day, and the singer/songwriter/guitarist wrote it in black Sharpie on a piece of paper and tacked it to the wall above his studio computer. Those words became a conceptual signpost for the Harborcoat’s sophomore album, aptly titled, Joy Is Elusive.
“Not that joy doesn’t happen, or that we can’t find a lot joy in life and work, but it seems it can be difficult to find these moments and hard work to sustain them,” the Lansing, Michigan artist shares. “I’ve struggled with depression and anxiety all my life and it has always crept into my songwriting as a sort of veiled subtext. With this new batch of songs, I made a conscious effort to write about it more directly. They aren’t mopey or deliberately maudlin, but I think during these times people are feeling a lot anxiety, depression, and they have been grappling with isolation. These topics are part of the human condition.”
Matthew is the main songwriter in Harborcoat. Previously, he led The Pantones for more than a decade, and currently he writes songs and plays and sings in Lansing power pop outfit, The Stick Arounds. In addition, he is the owner and operator of Phonophore Records.
Harborcoat began as a songwriting outlet for Matthew in 2016 for output that didn’t fit with The Stick Arounds. The vision was initially a bedroom artistic venture, but a dear friend suggested Matthew make a real record, and Harborcoat became a functioning band that plays shows and records with an ever-evolving cast of musicians. Previously, Harborcoat issued the 2017 single, “See The Sun,” and the 2019 full-length, Brutal Gravity.
Harborcoat specialize in short stories with chords. The lyrics are novelistic and almost standalone pieces rife with emotive and well-crafted narratives. The band name is pulled from an early R.E.M. gem, and the music brims with nods to Matthew’s heroes. The songs recall the crunchy power pop and harmonies of Teenage Fanclub; the introspection and melodic storytelling of Billy Bragg; and sprinkled in are moments of 80’s esque Brit-Pop or working-class anthems. These influences, however, do not define the record, but are they are merely a strand of DNA in Harborcoat’s collective musical helix.
The songs on Joy Is Elusive are buoyant and energetic and are a powerful juxtaposition to the weighty lyric content. “I wanted there to be a sense of joy and excitement even though the lyrical themes are often terribly dark. There was a direct effort to play to that old maxim of ‘beautiful melodies telling me terrible things,’” Matthew admits. He continues: “On this record I wanted to write more intently about all of our unseen struggles and the baggage we travel with each day. There is a greater thread lyrically and musically rooted within the themes of the album and the fictional town in which they occur. As much as I cringe at the idea of a concept record, this is a record with a pretty clearly defined concept.”
The 12-song album is a cohesive and conceptually immersive collection that warrants a full album listening experience. That said, select record standouts include “Transit Town,” the title track, and “Where The River Bends.” “Transit Town” is a power-pop anthem with Who-style ringing guitars and a rich tapestry of sing-along harmony vocals. The song’s sugar rush is offset by the bummer of the fleeting nature of relationships in a college town. “The story here is of a self-contained world in a mid-sized industrial city not on an upswing where one person comes into town, they partner with someone for a period of time, and then move on, and that other person is stuck and doesn’t want to be where they are,” Matthew shares. This sentiment is epitomized by the lyric: This city is just a stepping stone/And so I guess am I/Everybody else has flown/I’ve got nowhere to fly.
The deeply emotive piano ballad, “Joy Is Elusive,” is a character-driven piece about a mentally ill sibling who does a stint at a state hospital, but is later returned to his family and they have to find a way to build a life together. The song is filled with poignant scene-setting lyrics such as: We picked you up in Traverse City, scars across your arms/Drove along the country roads, you stared out at the farms/Asked you twice if you were hungry you simply shook your head/We inquired if you were better this was all you said. The dynamic and imaginatively arranged literate rocker, “Where The River Bends,” paints a powerful picture of the terror of getting what you want.
The album was tracked at Matthew’s family cabin. Before the sessions began, his father died suddenly, and Matthew thought to cancel, but his family and friends convinced him to proceed with the sessions. “That week of recording was the first time in four weeks that I had managed to find any degree of happiness or hope,” he recalls. “It was cathartic, it was beautiful, and it was the perfect distraction.”
credits
released October 1, 2021
DEDICATED TO STEVEN CARLSON
--------------------------------------------
Matt Carlson: vocals/guitar/synth
Johnny Aimcrier: guitars/lap steel
David Baldwin: guitars/keys/trumpet/backing vocals
Joel Kuiper: drums
Nate Moore: keys/mandolin/backing vocals
Ian Walker: bass guitar
--------------------------------------------
with
Jeffery Gower
Backing Vocals on ‘New Dawn Comes’
and ‘Things I Should Have Done’
Jacob McCarthy
Backing vocals on ‘Always Better’, ‘Edwardsburg’
and ‘Help Me Out Somehow’
Additional arrangement on ‘Edwardsburg’
Jennifer Toms
Backing Vocals on ‘Go To Sleep’
and ‘Where The River Bends’
--------------------------------------------
All songs written by Matthew Carlson
Copyright 2020, all rights reserved
Recorded at Cabin By The Lake
and Pleasant Pauper Studios
Mixed by Ian Walker with Isaac Vander Schuur
Mastered by Andy Reed
Arranged by HarborcoatEngineered by Ian Walker and Matthew Carlson
Woozy, rollicking indie rock that's thick and humid, searching vocals set against pealing guitars. Also available on cassette. Bandcamp New & Notable Aug 22, 2016
